Dance Group Choreography Costume


See the source image



See the source image
See the source imageSee the source image
1.
Poor:
Black trousers
Loose dirty white shirts

Rich:
Vertical stripes
Classical ballet gear


2.
Poor:
Grey trousers, turned up above the ankle
Loose dirty orange/brown shirts
Rich:
Form fitting white shirt
Black trousers

Comments

Post a Comment

Popular posts from this blog

Christopher Bruce and Richard Alston's Achievements at Rambert

Christopher Bruce arrived at Rambert at 18 years old to study ballet. This was the start of his career at Rambert. Even though he was a late started he soon became the principal male dancer in the company. So his achievements at the company includes quickly rising in talent and status. 14 years after he started at the company he was appointed associate director of the company, and shortly after in 1979 the associate choreographer. From this he created over 20 works, a massive contribution to the company. Examples of his work include Swan Song, Rooster and Ghost Dance. Richard Alston was already an experienced dancer and choreographer before coming to Rambert (having already studied with Cunningham among others). In 1980 he was made resident choreographer with Rambert, becoming the company's Artistic Director from 1986 - 1992. During this time he created 25 works for Rambert. Another important aspect of his time at Rambert is that he brought over many choreographers...
Read more

Five Works by Richard Alston

Dutiful Ducks 1982 Name from the score name by Charles Amirkhanian (1977) Originally choreographed as a solo for Michael Clark Score based on the repetition of the title, a sound poem Moves reflect classical ballet and contemporary movement Rejoice of the Lamb 2014 Based on the poem Rejoice of the Lamb by Christopher Smart (18th Century), turned into music by Benjamin Britten (1930s) Slow movement, extended limbs - Cunningham
Read more

On the Town Notes

Robbins and Bernstein collaboration Dramatising real life - dock worker Fast gesture - typical of Kelly Camera is stationary and the actors move around it, using framing Astaire introduced Kelly and Dean Stockwell have same dynamic as Cosmo and him Mixes film and theatre with the description of Ivy Smith, and then showing it theatrically again, also matches with the plain background, as if on a stage Camera zooms up on facial expressions to encourage comedy Heavy use of gesture throughout, especially for the scientist woman Combines theatre with film again showing 'A Day in the Life of New York' in theatre, comedy, fourth wall break? 
 Red behind Ivy Smith in theatre again shows love, music quiet and low key to focus on movement and their relationship Use of set with bars atypical, allows use of levels while not lifting to show that they're coming together Classic use of props with Kelly dancing with poster - mixing comedy (his staple) with romance In t...
Read more